This week, I've been working on something very special and dear to my heart: the album cover of the Beatles' "Yellow Submarine".
Why is this picture so special? Let me put it to you this way: the animated movie "Yellow Submarine" was one of those movies that defined my childhood. I loved it. As a kid, my sister and I would watch over and over and over again.
To this day, we can still recite whole scenes from the movie by heart. Don't even get me started!
My dad is a HUGE Beatles fan (having lived through the 60's and all that), so in our family, Beatles music was always playing, always present, always fun to sing and dance along to. I created this so I could express the joy that this colorful, wacky movie and album gave (and continues to give) me.
Notice the word "LOVE" in proud red/yellow stripes coming out the top? That part's not on the original image! It adds a nice personal touch, plus it pretty much summarizes the whole message of Beatles' music in general.
As a bonus, here's an animated-gif I created so you guys can see how my painting progressed from pencil drawing to finished masterpiece without having to scroll another inch! Ta-da!
Greetings artists, art-critics, and art-enthusiasts alike! This blog is a special nook for my art-related endeavors and it's where I keep many of my drawings. Have fun looking! (and maybe comment sometimes)
Sunday, August 7, 2011
Sunday, July 31, 2011
Hearts Rising
This work, I think, falls under the mixed-media category. It started out as an acrylics painting (referenced in my "Autumn Aspens" art-post), but then I finished it up using oils. Better than doing it the other way round, let me tell you.
I based this painting on a work by an artist named Romero Britto called "A New Day". Hopefully, my work is different enough that it doesn't look like an identical copy of Britto's painting.
I based this painting on a work by an artist named Romero Britto called "A New Day". Hopefully, my work is different enough that it doesn't look like an identical copy of Britto's painting.
Saturday, July 30, 2011
Lovebirds in Oils
Believe it or not, this is my first ever oils painting. If you happen to be curious why my signature is so big, the reason I made it like that is I remember hearing somewhere that Vincent Van Gogh, when signing his paintings, would make his signature small if he wasn't particularly proud of the painting, and large if he was very proud of it. By this logic you can see how proud I am of my work. ^_^
I love the colors on these birds in real life. It's as if nature itself took a paint-brush and went all out on them! What a treat to recreate them for myself.
(Edit:)
After uploading this to my DeviantArt gallery (which you can visit at this link: Cartoonconnoisseur's Gallery), I got a positive comment on it just 1 minute later! How about that? Instant art-fan, just add art! ^__^
Monday, June 20, 2011
"Autumn Aspens"/Last Acrylics Class
Week 5 of Acrylics Class:
On the left is how my painting looked by the end of class 5, and on the right is how my palette looked after class 5. A fellow student suggested that my palette looked almost as pretty as my painting, so I took a picture for good measure. I rushed a bit towards the end, and I really hoped to bring it home. Jan, in her infinite wisdom, instead convinced me to wait until next week (after adding more depth, shadow, and detail) to bring it home.
Week 6 of Acrylics Class:
After I finished, I still had about half an hour left, so Jan said I could start another painting. She gave me a Romero Britto painting called "A New Day". Though the picture seems very simplistic and much easier than the ones I've already done, it's no less of a task to start it than the others. And wouldn't you know it, I wasn't able to finish it in time. Jan suggested I take it anyway along with the one I finished, and get myself some acrylics to finish it up at home.
Before my mom and I left, I asked Jan if I could take a picture with her, and she said okay. Isn't she the sweetest? I hope I never forget her.
Thank you very much Jan, if you ever read this, for all your help and for giving me so much confidence in my own creativity. You made me feel welcome, and that is all it takes sometimes.
Had an absolutely lovely painting session. I continued the painting I started on week 4: a forest of aspens in the autumn. Here's what it looked like at the end of class 4 (the day I brought home my lighthouse painting).
As you can see, all I did was block in the background colors and draw the outlines for the future trees. On week 5, I had so much fun, because I got a lot of work done, and the whole time Jan had beautiful traditional South-American music playing as we painted. I've never been to South America, and the music is so haunting and magical it makes me "want to go to there"! ( ^_^ Tina Fey quote.)On the left is how my painting looked by the end of class 5, and on the right is how my palette looked after class 5. A fellow student suggested that my palette looked almost as pretty as my painting, so I took a picture for good measure. I rushed a bit towards the end, and I really hoped to bring it home. Jan, in her infinite wisdom, instead convinced me to wait until next week (after adding more depth, shadow, and detail) to bring it home.
Week 6 of Acrylics Class:
On the day of my final acrylics class, my mom came with me. Just like my brother and sister 2 weeks ago, she got to see the gallery, meet my teacher and class-mates, and hang around listening to the music and watching me paint. Additionally, she shot some photos of me finishing my painting IN ACTION!
(As much action as you can get when you're painting acrylics, anyway.)
(As much action as you can get when you're painting acrylics, anyway.)
| Dotting the trees... |
| More paint, please. ^_^ |
| I'm having the best time... |
| Using the palette knife. |
| It's not as easy as it looks, but with practice, everything gets easier. |
| Time to sign my name on it! |
| Close up of my "sig"... |
Before my mom and I left, I asked Jan if I could take a picture with her, and she said okay. Isn't she the sweetest? I hope I never forget her.
Thank you very much Jan, if you ever read this, for all your help and for giving me so much confidence in my own creativity. You made me feel welcome, and that is all it takes sometimes.
Monday, June 6, 2011
"Lighthouse on the Sea" / Worth the Wait
Hi everyone! Since my initial blog-post about my first acrylics masterpiece, I've had a couple more classes that have humbled me up good and proper. Before, I thought that every week I'd bring home another new work of art to show everyone and I'd get that magnificent high of praise and positive feed-back that is craved by all people. Here's what really happened:
Week 2 of Acrylics Class:
Teacher Jan gives me a choice as to what my next subject will be. She gives me a few different photos, and I choose a pretty one with a lighthouse on a hill by the sea. I get right to work. 2 hours goes by in a snap! This is what I have produced by the time I have to go.
Believe it or not, this was not finished. I still had to do the proper layering, shadowing and highlighting of the rocks on the cliff and on the path, plus refine the houses in the distance. Jan promised me that I could leave my painting safe in her gallery for the week and I would come back to finish it next time.
I've seen the other students leave their work with her before, so I thought, okay then. When I got back home, my family was excited to see what I brought home, but they understood when I told them I wasn't finished with my latest work yet. My dad suggested next time to bring a camera with me so that I could at least show my work in progress.
Indeed, it is a great idea, and that's how I'm able to show you the unfinished product at all!
Week 3 of Acrylics Class:
I'm excited, I'm pumped, I'm ready to finish my painting and bring it home. At first, it is strange to begin with an already-started work, and I don't know how to approach the canvas confidently. Jan gives me good suggestions on what to work on and what tools are best for the job.
This week I was also introduced to this special stuff called artist's texturing gel. You mix it in with the paint and you're able to add a popping-out textured effect to a painting, creating the illusion of clouds, water, grass, tree-bark, etc...
I applied the paint straight on with a palette-knife instead of a paint-brush. Usually I use the knife just for mixing colors, so it felt very strange using it on canvas. I remember feeling very frustrated at times, especially when trying to paint the rocks and stuff.
Again, 2 hours went by, and I still was not done. I hate to admit it, but I felt very, very disappointed in myself that I still had not finished my painting, so much so, that I even cried a bit. In a quiet, repressed, stiff upper-lip way, not in a "wah-wah" way. I wanted so badly to recreate what I saw in the photo I was working from, that I stressed over the tiny little ways that made my painting and the photo different.
Then, Jan showed me a picture of a painting that she made of the same lighthouse. (Sorry I can't show it here folks. Just imagine it.) It was beautiful, but I noticed that her painting didn't look exactly like the photo either. In a few kind words, she convinced me that I might not see it then, but the finished painting was within my reach, and I just had to be patient with myself and the creative process. She was right of course, and I still felt sad that again I couldn't take it home, but I also felt better about myself.
Week 4 of Acrylics Class:
This time, my brother Adam and my twin sister Bettina joined me at my art class. They came to see what the class was like and what I actually do for two hours. What they mostly did was browse about the gallery, listen to the radio, and just sit around waiting for me to be done.
Meanwhile, I got to work finishing my lighthouse on the hill, and an hour and a half in, I finally was done! I could feel that Jan was proud of me when she said, "Now that's something you can sign your name to."
I spent the last half-hour starting up another painting, but that work will get it's own post in due time. I was so proud of myself! Bringing it home that day felt even more satisfying than the first time bringing my winter-wonderland painting home. My mom went out and bought me the perfect frame for it, and later that night, she helped my dad, my sister and me hang it up close by my first one.
(Hanging up a frame correctly is almost an art unto itself; it's pretty exhausting, actually, unless you get the easy kind of frame that has holes in the back for the nail, and not the annoying little hook-loop thing-ies my frame had.)
Friends, let my experience be a lesson to you. I keep learning these lessons over and over again, and hopefully the idea will sink in someday: If at first you don't succeed, try, try again. Never give-up or lose hope when something doesn't go exactly as you planned. Embrace the mistakes you make, and learn from them. It's all a part of growing-up, and everyone goes through it at some part of their lives, even the great master artists!
Week 2 of Acrylics Class:
Teacher Jan gives me a choice as to what my next subject will be. She gives me a few different photos, and I choose a pretty one with a lighthouse on a hill by the sea. I get right to work. 2 hours goes by in a snap! This is what I have produced by the time I have to go.
Believe it or not, this was not finished. I still had to do the proper layering, shadowing and highlighting of the rocks on the cliff and on the path, plus refine the houses in the distance. Jan promised me that I could leave my painting safe in her gallery for the week and I would come back to finish it next time.
I've seen the other students leave their work with her before, so I thought, okay then. When I got back home, my family was excited to see what I brought home, but they understood when I told them I wasn't finished with my latest work yet. My dad suggested next time to bring a camera with me so that I could at least show my work in progress.
Indeed, it is a great idea, and that's how I'm able to show you the unfinished product at all!
Week 3 of Acrylics Class:
I'm excited, I'm pumped, I'm ready to finish my painting and bring it home. At first, it is strange to begin with an already-started work, and I don't know how to approach the canvas confidently. Jan gives me good suggestions on what to work on and what tools are best for the job.
This week I was also introduced to this special stuff called artist's texturing gel. You mix it in with the paint and you're able to add a popping-out textured effect to a painting, creating the illusion of clouds, water, grass, tree-bark, etc...
I applied the paint straight on with a palette-knife instead of a paint-brush. Usually I use the knife just for mixing colors, so it felt very strange using it on canvas. I remember feeling very frustrated at times, especially when trying to paint the rocks and stuff.
Again, 2 hours went by, and I still was not done. I hate to admit it, but I felt very, very disappointed in myself that I still had not finished my painting, so much so, that I even cried a bit. In a quiet, repressed, stiff upper-lip way, not in a "wah-wah" way. I wanted so badly to recreate what I saw in the photo I was working from, that I stressed over the tiny little ways that made my painting and the photo different.
Then, Jan showed me a picture of a painting that she made of the same lighthouse. (Sorry I can't show it here folks. Just imagine it.) It was beautiful, but I noticed that her painting didn't look exactly like the photo either. In a few kind words, she convinced me that I might not see it then, but the finished painting was within my reach, and I just had to be patient with myself and the creative process. She was right of course, and I still felt sad that again I couldn't take it home, but I also felt better about myself.
Week 4 of Acrylics Class:
This time, my brother Adam and my twin sister Bettina joined me at my art class. They came to see what the class was like and what I actually do for two hours. What they mostly did was browse about the gallery, listen to the radio, and just sit around waiting for me to be done.
Meanwhile, I got to work finishing my lighthouse on the hill, and an hour and a half in, I finally was done! I could feel that Jan was proud of me when she said, "Now that's something you can sign your name to."
I spent the last half-hour starting up another painting, but that work will get it's own post in due time. I was so proud of myself! Bringing it home that day felt even more satisfying than the first time bringing my winter-wonderland painting home. My mom went out and bought me the perfect frame for it, and later that night, she helped my dad, my sister and me hang it up close by my first one.
(Hanging up a frame correctly is almost an art unto itself; it's pretty exhausting, actually, unless you get the easy kind of frame that has holes in the back for the nail, and not the annoying little hook-loop thing-ies my frame had.)
Friends, let my experience be a lesson to you. I keep learning these lessons over and over again, and hopefully the idea will sink in someday: If at first you don't succeed, try, try again. Never give-up or lose hope when something doesn't go exactly as you planned. Embrace the mistakes you make, and learn from them. It's all a part of growing-up, and everyone goes through it at some part of their lives, even the great master artists!
Friday, May 13, 2011
Blue Winter
Believe it or not, this is my very first, honest-to-goodness acrylics painting! I've signed-up to a class where the teacher is very nice and patient, and there are only 4 other students besides me.
I wish I could've taken a snapshot of each of my family member's reactions when I brought my painting home. Oh well, I'll have to paint some more then. Thanks a bunch guys for your praise. ^_^
The link above takes you to my Deviant Art entry for this picture. From there you can check out the rest of my paintings, doodles, and graphic work. Have a nice day!
Monday, May 2, 2011
Wet Clown
"Yeah, I know. I'm a part of a visual gag. Ha-ha. Laugh it up. It's my job."
Don't let this poor fellow go nameless. Please suggest a title fit for a clown in the comments below!
Wednesday, April 27, 2011
The Fantasy World of Fontasia!
I was experimenting in Photoshop today, trying out different filters and such. It's a lot of fun for me to see the type of artwork that comes out of combining different effects together.
Anyway, I discovered that by combining a "Clouds" filter, a "Posterize" adjustment, and a "Find Edges" filter, I was able to create my own fictional countries! Without having to draw a thing!
After a few incarnations, undoing and redoing the process a few times, and coloring the shapes all in green, this is what I came up with.
I decided to try giving each continent their own territories, to mix it up a little. So I used the same "Clouds, Posterize, Find Edges" process I used in the first place for each shape. Now they've got boundaries.
Here, I brightened up the colors a little, overlaid a grid-pattern on the whole thing, and gave my world a clever, exotic sounding name. You'll see why I called it "Fontasia" in the very next still.
P.S. Click the pictures to make them bigger if they're too small for you to see.
Anyway, I discovered that by combining a "Clouds" filter, a "Posterize" adjustment, and a "Find Edges" filter, I was able to create my own fictional countries! Without having to draw a thing!
After a few incarnations, undoing and redoing the process a few times, and coloring the shapes all in green, this is what I came up with.
I decided the countries I had created looked pretty flat, so I added a "Bevel/Emboss" layer-effect to make the landmasses "pop out" a bit more.
Next I added a blue ocean layer beneath the green landmass layers, and added a "Bevel/Emboss" effect to that. See how much it looks like a real map already? But wait, there's more!I decided to try giving each continent their own territories, to mix it up a little. So I used the same "Clouds, Posterize, Find Edges" process I used in the first place for each shape. Now they've got boundaries.
Here, I brightened up the colors a little, overlaid a grid-pattern on the whole thing, and gave my world a clever, exotic sounding name. You'll see why I called it "Fontasia" in the very next still.
Finally, the finished product, with every single area having their own names. "How did I come up with such fantastic fictional names" do you ask? I named the countries and bodies of water based on what font-type they were. In Photoshop CS4, there is a smorgasbord of fonts to choose from, such as Pristina, Nyala, Palatino, Latha, etc.....the only place whose name doesn't match the font it's set in is the Wing Ding Islands. If they were really in Wing-Ding font, you'd just see shapes and symbols.
There you guys have it! The Wonderful Fantasy World of Fontasia, where the names are based on fonts! If you're an artist or a writer who'd like their very own world to rule over, and you own Photoshop or some other graphic software with similar filters and effects, then play around with the steps I've described. It's a fun way to spend a creative couple hours.********************
P.S. Click the pictures to make them bigger if they're too small for you to see.
Sunday, April 24, 2011
Happy Panda
Bonus Step: Uploaded this picture to my Deviant-Art account here: http://cartoonconnoisseur.deviantart.com/
Voila!
Wednesday, April 20, 2011
Hanjie = Sudoku for artists?
Anyway, I found this book full of 100 Hanjie puzzles and thought to myself, "Now that's a fun looking Japanese puzzle if I ever saw one". What makes Hanjie fun is that the object is simple (use the numbers provided to fill in the gridded squares to produce a cute, if not, pixel-ly picture that you can then admire for about a minute upon solving it), but the game itself is mentally stimulating, and gives the solver a sense of accomplishment and something to show for his/her time and effort. What do you have to show from a solved Sudoku? Just another 9 x 9 grid full of numbers (no offense).
So far, in a matter of days, I've solved about 15 puzzles all by myself. There are plenty more puzzles that my sister Bettina did by herself, we worked on together, or we started but got stuck on them. It's great fun collaborating on a Hanjie puzzle with my sister, because sometimes one of us sees something the other one didn't, and we're a great team.
Doing puzzles like Hanjie are fun, but I do in fact miss posting up original art of my own. So, in the near future, expect some more creative posts from your's truly. Thank you for reading, and see you soon.
Fun Fact: Hanjies are also known as nonograms and pixel puzzles!
To learn more about Hanjie puzzles, go to the Wikipedia article here! http://en.wikipedia.org/wiki/Hanjie
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